Please email
parkmediaservices@glos.ac.uk if you would like any of the following programmes / series recordings.
Saturday 28th September 2013
More4, 9.00pm - 10.20pm
Documentary offering an intimate glimpse into the life of legendary actor Leslie Phillips, whose 75-year career has covered every medium and even embraced Twitter.
Radio 3, 12.15pm - 1.00pm
Charlie Chaplin's role as a pioneering actor, comedian and film maker we
know. Less well known is his work as a film composer. Although he could not read
music, he worked very closely with music collaborators, singing ideas and giving
advice about instrumentation. Matthew Sweet explores the importance of music in
Chaplin's creative life and the crucial role it played in his films.
Radio 3, 2.00pm - 4.00pm
The iconic English actor Terence Stamp was introduced to classical music during
the 1960s by his friend Michael Caine. But his musical influences stem from his
East End childhood, films that he saw and an early trip with his aunt to see
Bizet's Carmen at Sadlers Wells. The result is that he is a passionate lover of
classical music. In this special "Sound of Cinema" edition of Saturday Classics
he presents two hours of his favourite music including works by the film
composer Alfred Newman, by Delibes, Borodin, Rodrigo. Dick Barton makes an
appearance, as do Jimi Hendrix and KD Lang, all linked one way or another, to
Terence Stamp's distinguished life and career.
Radio 3, 4.00pm - 5.00pm
Matthew Sweet presents the first of a weekly series of programmes celebrating
film music, and with the re-release of Robin Hardy's The Wicker Man there's a
heady mix about life in the British countryside in today's selection.
Friday 27th September sees the re-release of Robin Hardy's cult British film
The Wicker Man. On the occasion of its fortieth anniversary, Matthew Sweet looks
back at the film's imaginative score - which Christopher Lee described as being
some of the best music he's heard in a film - and takes it as a springboard to
explore film music which evokes the uneasy and sometimes sinister side of
British rural life, as portrayed in the music for the screen.
Featured scores include Sir Gawain and the Green Knight from 1973 with music
by Ron Goodwin; Witchfinder General from 1968 with music by Paul Ferris; James
Bernard's music for the 1957 Hound of the Baskervilles; Erich Korngold's music
for The Adventures of Robin Hood; William Walton's music for Went The Day Well;
Marc Wilkinson's score for Blood On Satan's Claw; Ilan Eshkeri's Stardust;
Patrick Doyle's music for Brave; and Jim Williams's music for the 2013 film A
Field in England.
Matthew Sweet presents the first of a weekly series of programmes celebrating
film music, and with the re-release of Robin Hardy's The Wicker Man there's a
heady mix about life in the British countryside in today's selection.
Show moreFriday 27th September sees the re-release of Robin..
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Sunday 29th September 2013
BBC 4, 9.00pm - 10.30pm
In many of Hollywood's greatest movie musicals the stars did not sing their own
songs. This documentary pulls back the curtain to reveal the secret world of the
'ghost singers' who provided the vocals, the screen legends who were dubbed and
the classic movies in which the songs were ghosted.
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Monday 30th September 2013
Sound of
Cinema
Radio 3, 11.00am - 12.00pm
Radio 3, 12.00pm - 1.00pm
John Williams talks to Donald Macleod about a date with a young rookie
director that changed movie history. Williams discusses the lunch meeting with
Steven Spielberg in 1972 that precipitated one of the cinema's greatest
partnerships - as well as introducing his pioneering score to Spielberg's "Close
Encounters Of The Third Kind".
Before that, we hear about Williams's early life in jazz, working with Henry
Mancini and André Previn, and composing big band jazz scores for television -
including the detective drama Checkmate. The composer discusses his experiences
in the hothouse film and TV studios of the 1960s, and introduces his score to
the TV film Jane Eyre, for which he visited the Yorkshire Dales.
The programme ends with the first of a series of Williams's concert works -
the pungently dissonant, Bartók-tinged Flute Concerto from 1969.
Radio 3, 10.45pm - 11.00pm
The live music and sound effects, the unruly audiences, the performers paid to
interpret mysterious foreign intertitles, the usherettes spraying the audience
with disinfectant. Matthew Sweet explores the sound-world of cinema's
beginnings, from the orchestras of big-budget epics to the small improvising
bands of the fleapits - and discovers how their ghosts haunt the modern
cinemagoing experience.
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Tuesday 1st October 2013
Sound of
Cinema
Radio 3, 11.00am - 12.00pm
| Sound of
Cinema: John Williams |
Radio 3, 12.00pm - 1.00pm
Radio 3, 10.45pm - 11.00pm
The novelist Jonathan Coe explores how a joint concert with Arthur Honegger
led to the composer Miklós Rózsa writing for film, including the scores for
'Ben-Hur', 'Spellbound' and 'The Lost Weekend'.
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Wednesday 2nd October 2013
BBC 2, 10.00pm - 10.30pm
Malcolm Gladwell is about to publish a book. He's done it four times before,
and whenever it happens huge things occur: Millions of copies get sold, world
leaders take note, catchy phrases infiltrate our language and millions of us are
moved by his inspiring stories and big powerful ideas.
Jon Ronson goes head to head with The Tipping Point author in his New York
home to talk about his latest work. 'David and Goliath: Underdogs, Misfits and
the Art of Battling Giants' seeks to shake our faith in what it means to have
the upper hand. In it Gladwell argues we get advantage and disadvantage the
wrong way round. Being dyslexic, losing a parent in childhood, being bombed,
shot at, marginalized... can all be turned to good, according to his latest
optimistic tome.
In this candid and revealing confrontation, one thing comes clear... Giants
beware: underdogs can surprise you when they make good the advantages that stem
from a traumatic start.
Radio 4, 8.00pm - 8.45pm
A sharp rise in the use of on the spot fines, penalty notices for disorder,
cautioning, and other "out of court disposals" has raised concerns that the
criminal justice system is being circumvented and undermined.
More than 50% of all offences are now dealt with outside of the courts. Clive
Anderson brings together leading lawyers, a senior magistrate and a chief
constable to discuss the developments.
Penalty notices for disorder and fixed penalty notices mean police and other
officials can bypass time-consuming and costly court cases for less serious
offences, but they are also able to "find people guilty" and mete out punishment
without legal checks and balances. According to some critics, criminal offences
such as harassment and disorderly conduct are being dealt with "like a parking
ticket".
The number of on-the-spot fines issued by public authorities has increased
16-fold in the last decade, for offences such as leafleting and dog-fouling, and
the number of fixed penalty notices issued by police, local authorities and
schools has also increased dramatically. Meanwhile, Justice Secretary Chris
Grayling has initiated a consultation about the frequent and inconsistent use of
police cautions, often for very serious offences.
What does it mean for justice in Britain when criminal offences which were
once tried in a court room are now dealt with on-the-spot, with the "offenders"
unable to argue their case, or the public able to see justice done? And to what
extent do these untested "crimes" lay on a police computer, accessible during
CRB checks?
Sound of
Cinema
Radio 3, 11.00am - 12.00pm
| Sound of
Cinema: John Williams |
Radio 3, 12.00pm - 1.00pm
Radio 3, 10.45pm - 11.00pm
The American academic and social critic Camille Paglia on the film scores which
have inspired her since childhood including the work of Bernard Herrmann, John
Dankworth and Max Steiner.
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Thursday 3rd October 2013
ITV, 7.30pm - 8.00pm
Jonathan Maitland asks whether the time is right to start buying into the seemingly resurgent property markets in Greece, Spain, and other countries that were popular with Brits looking for holiday homes prior to the economic downturn in the Eurozone.
Sound of
Cinema
Radio 3, 11.00am - 12.00pm
| Sound of
Cinema: John Williams |
Radio 3, 12.00pm - 1.00pm
Radio 3, 10.45pm - 11.00pm
The writer and film critic David Thomson explores how film composers create
mood and how the best music evokes a place beyond reality.
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Friday 4th October 2013
Radio 3, 11.00am - 12.00pm
| Sound of
Cinema: John Williams |
Radio 3, 12.00pm - 1.00pm
| The
Essay: Sound of Cinema: You Ain't Heard Nothing Yet |
Radio 3, 10.45pm - 11.00pm